Evidence-based design
When the economy is tight, clients are more risk-averse. They demand research and evidence your design direction is valid. This article explores what that looks like in practice, and the implications for pricing a project.
First: the pricing problem
We see this constantly: talented designers who can create brilliant work stumble when it comes to charging properly. They default to hourly rates, apologise for their fees, or worse – undercharge because they can’t articulate why their approach is worth more.
The root cause? They’re trying to justify creative decisions with creative reasoning. “It looks better this way” or “this feels right for your brand” doesn’t build client confidence in a data-driven world.
Evidence changes everything
When you can show why a design solution works – not just that it looks good – the pricing conversation transforms completely.
Evidence doesn’t constrain creativity.
It gives you the confidence to charge for the thinking behind the design.
What evidence-based design might look like
Before you design:
- Capture what ‘now’ looks like as a baseline. Sales, timelines, clicks – whatever works for your project.
- Research the client’s industry and competitors to understand their customer journey and pain points
- Identify the (measurable) business challenges design can address (see first point)
During the design process:
- Test concepts against user-behaviour data
- Validate decisions with industry benchmarks
- Document the strategic reasoning behind creative choices
When presenting:
- Lead with the problem you’re solving
- Show how your solution addresses specific business needs
- Connect design decisions to measurable outcomes
3/6/12 months later:
- Return to measure design impact against the baseline
The value of evidence-based design
Evidence-based design allows you to:
Price on impact, not time: When you can show the impact to the business, you can charge for that impact
Handle objections confidently: “This seems expensive” becomes a conversation about ROI, not a negotiation about hours
Strategic decisions: It’s not about aesthetics, it’s about solving business problems
Justify premium pricing: Research, strategy and evidence cost more than execution alone
The how
This isn’t about becoming a data scientist. It’s about building evidence into your existing process:
- Start every project with “what business problem are we solving?”
- Include competitor research in your estimates
- Document the strategic thinking behind creative decisions
- Present solutions in terms of business outcomes, not aesthetic choices.
The tools you need
Evidence-based design requires new skills: research methods, data interpretation, and most importantly – the confidence to have strategic pricing conversations.
That’s why we developed our Costing, Pricing, Profit toolkit. It includes conversation scripts for value-based discussions, frameworks for cost vs impact pricing, and tools to help clients understand why strategic design costs more than production work
So what?
The shift toward evidence-based design isn’t just about better creative outcomes. It’s about transforming how you price and position your work.
When you can prove value, you can charge for value. When you lead with evidence, pricing becomes a strategic conversation, not an awkward negotiation.
The design businesses we see thriving are not necessarily the most creative. What they can do is can confidently connect creativity to measurable business impact.
As always, happy to discuss further, just email Carol
Carol Mackay
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About Carol
After 30+ years running a design studio, I accumulated a pretty special network of fellow designers. One thing most have in common: a need for more information about the ‘business’ side of design. Most are impatient with any task competing for time spent doing what they love – designing so they wanted more info about how to work more efficiently and effectively.
Not me. I love that intersection between design and business. I built a career working with Ombudsman schemes, the Emergency Services sector and the Courts. My special power has always been an ability to use design to translate the difficult to understand or the unpalatable message.
I now use exactly the same skills with creative business owners. I translate the indigestible into bite-sized chunks of information. I share insights, introduce tools and embed processes to help others build confidence business decision-making skills. More confidence makes it easier to grasp opportunities. More confidence makes it easier to recognise a good client from the bad.
Outside DBC I have mentored with Womentor, AGDA The Aunties, and most recently Regional Arts NSW.
And I’m a proud volunteer and board member of Never Not Creative.
Always happy to chat, I can be contacted here.